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(1963): “I love you / Woo-woo-woo-woo.” “Ask Me Why” was one of Lennon and Mc Cartney’s first compositions, as the lyrics here attest.With a major exception, “One After 909,” the results of these early efforts were as naïve and plain as you’d expect.Beyond everything else, the Beatles were the biggest cultural story of the modern era, and they were, in the end, pop, if pop is music that makes people happy.Through the confusion and the chaos, the pain and the self-questioning, they worked to create a joyous sound. Even by Mc Cartney standards (“Getting Better,” “Hello Goodbye”) the title is inane.Docked eight notches for Lennon’s final spoken line, “And now we’d like to do ‘Hark the Angels Come,’” which on the record sounds like a swipe at the next track, “Let It Be,” a song that is tuneful and about something, unlike “Dig It.” Mc Cartney sometimes produced schlock, but rarely work as annoying as this.(1963): John Lennon, a local Liverpool tough and an incipient art-school dropout, had a skiffle band.Still, having left Sutcliffe in Hamburg, the band continued to rock the Cavern as a quartet, with Paul Mc Cartney playing bass.A local music-store owner, Brian Epstein, saw potential in the band when no one else did and reinvented himself as their manager.

And it ruins (1970): As Lennon himself put it, this is what you get when you’re stoned all the time and don’t give a shit.(“Whatever happened to / The love that we once knew? The weirdest thing about the song is how the title words come on a low note that Lennon doesn’t quite hit, a rarity for a band with such vocal precision from the start. The instrumentation is unusual; there are no actual Beatles playing on the track, but no one cares because the song is so bad.Note that the subject of the song is essentially the same as David Bowie’s “Life on Mars,” which does much more with it. “Real Love,” single (1995): This was another Lennon demo from the late 1970s, already known via the 202.“Thank You Girl,” single (1963): The highly inferior B side of “From Me to You,” the band’s third single, distinguished only by a few dissonant harmonica notes. “I’ll Get You,” single (1963): Lots of (1963): A Carole King–Gerry Goffin song, from their Brill Building days, sung by a noticeably young George Harrison. “Misery,” (1969): It’s possible George Harrison was the first pop star to attack his record label, or, in this case, his publishing company in a song.His former songwriting partner, one Paul Mc Cartney, added six lines as a sort of bridge.